Mississippi Squirrel Revival
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From : BCBband
Added: Sep 21, 2008
Stereo: http://www.youtube.com/watch?v=Uoa0w8wm2Y8&fmt=18 BCB Band sing "Mississippi Squirrel Revival by Ray Stevens. One of the most popular novelty artists of all time, Ray Stevens enjoyed a remarkably long career, with a stretch of charting singles -- some of them major hits -- that spanned four decades. Unlike parody king Weird Al Yankovic, Stevens made most of his impact with original material, often based on cultural trends of the day. Yet his knack for sheer silliness translated across generations, not to mention countless compilations and special TV offers. Stevens was a legitimately skilled singer and producer who also performed straight country and pop, scoring the occasional serious hit. But in general, comic novelty songs were his bread and butter, and his brand of humor somehow managed to endure seismic shifts in popular taste and style. Stevens was born Harold Ray Ragsdale on January 24, 1939, in the small town of Clarkdale, GA. He started piano lessons at age six and formed a band at 15 called the Barons, which played at local venues and social events. At 17, he moved to Atlanta and caught on with radioman Bill Lowery's music publishing company; one of his songs, "Silver Bracelet," got him a shot at recording for Capitol subsidiary Prep, but the single never hit outside of Atlanta. Stevens enrolled at Georgia State University to study classical piano and music theory and in the meantime continued to record for Lowery's NRC label. One of his earliest novelty songs, 1960's "Sgt. Preston of the Yukon," was building a national buzz until a copyright infringement suit took it off the racks. Stevens began performing regularly on a radio show called The Georgia Jubilee, which helped lead to a job with Mercury Records as a session musician, arranger, and A&R assistant. Meanwhile, in 1961, he landed his first Top 40 hit with the novelty (obviously) song "Jeremiah Peabody's Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills." Once Stevens joined the Mercury staff, he recorded several more novelty singles. "Ahab the Arab," released in early 1962, was a smash hit, reaching the Top Five on the pop charts and even crossing over to the Top Ten on the R&B side. The follow-up, "Santa Claus Is Watching You," just missed the Top 40, but 1963's "Harry the Hairy Ape" returned him to the Top 20. Still, Stevens wasn't planning on a singing career; he concentrated more on learning the ropes in the studio. He worked with artists like Brenda Lee, Patti Page, and Brook Benton and sometimes sang as a substitute vocalist with the Jordanaires. In 1963, he played with Elvis Presley himself on the sessions for the Fun in Acapulco soundtrack. With no hits of his own on the way, however, Stevens wound up moving to the Monument label, where he signed on as a producer and arranger. There he worked with a young Dolly Parton and B.J. Thomas, among others, and formed a friendship with producer Bill Justis (best known for his Sun Records classic "Raunchy"). Stevens began recording again for Monument in 1968, delving into surprisingly pointed social commentary with the Top 30 pop hit "Mr. Businessman." Comedy was still in his blood, though, and Justis gave him an idea for a song called "Gitarzan." Stevens wrote the lyrics and voiced the characters, and in 1969 "Gitarzan" became his first Top Ten pop hit in seven years. His follow-up, a version of the Coasters' "Along Came Jones," reached the Top 30. Stevens also recorded "Sunday Mornin' Comin' Down," a song by a young up-and-comer named Kris Kristofferson. He was so pleased with the result that he turned down a chance to record Burt Bacharach's "Raindrops Keep Falling on My Head," which of course hit number one for Thomas. Unfortunately, Stevens' version of "Sunday Mornin' Comin' Down" flopped, but his instincts were right on, as Johnny Cash scored a major hit with it not long after.
Category : Music
Added: Sep 21, 2008
Stereo: http://www.youtube.com/watch?v=Uoa0w8wm2Y8&fmt=18 BCB Band sing "Mississippi Squirrel Revival by Ray Stevens. One of the most popular novelty artists of all time, Ray Stevens enjoyed a remarkably long career, with a stretch of charting singles -- some of them major hits -- that spanned four decades. Unlike parody king Weird Al Yankovic, Stevens made most of his impact with original material, often based on cultural trends of the day. Yet his knack for sheer silliness translated across generations, not to mention countless compilations and special TV offers. Stevens was a legitimately skilled singer and producer who also performed straight country and pop, scoring the occasional serious hit. But in general, comic novelty songs were his bread and butter, and his brand of humor somehow managed to endure seismic shifts in popular taste and style. Stevens was born Harold Ray Ragsdale on January 24, 1939, in the small town of Clarkdale, GA. He started piano lessons at age six and formed a band at 15 called the Barons, which played at local venues and social events. At 17, he moved to Atlanta and caught on with radioman Bill Lowery's music publishing company; one of his songs, "Silver Bracelet," got him a shot at recording for Capitol subsidiary Prep, but the single never hit outside of Atlanta. Stevens enrolled at Georgia State University to study classical piano and music theory and in the meantime continued to record for Lowery's NRC label. One of his earliest novelty songs, 1960's "Sgt. Preston of the Yukon," was building a national buzz until a copyright infringement suit took it off the racks. Stevens began performing regularly on a radio show called The Georgia Jubilee, which helped lead to a job with Mercury Records as a session musician, arranger, and A&R assistant. Meanwhile, in 1961, he landed his first Top 40 hit with the novelty (obviously) song "Jeremiah Peabody's Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills." Once Stevens joined the Mercury staff, he recorded several more novelty singles. "Ahab the Arab," released in early 1962, was a smash hit, reaching the Top Five on the pop charts and even crossing over to the Top Ten on the R&B side. The follow-up, "Santa Claus Is Watching You," just missed the Top 40, but 1963's "Harry the Hairy Ape" returned him to the Top 20. Still, Stevens wasn't planning on a singing career; he concentrated more on learning the ropes in the studio. He worked with artists like Brenda Lee, Patti Page, and Brook Benton and sometimes sang as a substitute vocalist with the Jordanaires. In 1963, he played with Elvis Presley himself on the sessions for the Fun in Acapulco soundtrack. With no hits of his own on the way, however, Stevens wound up moving to the Monument label, where he signed on as a producer and arranger. There he worked with a young Dolly Parton and B.J. Thomas, among others, and formed a friendship with producer Bill Justis (best known for his Sun Records classic "Raunchy"). Stevens began recording again for Monument in 1968, delving into surprisingly pointed social commentary with the Top 30 pop hit "Mr. Businessman." Comedy was still in his blood, though, and Justis gave him an idea for a song called "Gitarzan." Stevens wrote the lyrics and voiced the characters, and in 1969 "Gitarzan" became his first Top Ten pop hit in seven years. His follow-up, a version of the Coasters' "Along Came Jones," reached the Top 30. Stevens also recorded "Sunday Mornin' Comin' Down," a song by a young up-and-comer named Kris Kristofferson. He was so pleased with the result that he turned down a chance to record Burt Bacharach's "Raindrops Keep Falling on My Head," which of course hit number one for Thomas. Unfortunately, Stevens' version of "Sunday Mornin' Comin' Down" flopped, but his instincts were right on, as Johnny Cash scored a major hit with it not long after.
Category : Music
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